George F. Fletcher House

114 Seventh Street, New Bedford, MA

George Fletcher, who moved to New Bedford from the District of Columbia in the early 1830s, may have been a formerly enslaved person. City records suggest he changed his name from Hitch to Fletcher. Both he and David Fletcher—probably his brother—worked first as laborers, then ran an oyster house on Union Street. George bought this house and land in 1844 from David Greene, for whom he had worked as a laborer. In the late 1840s, George Fletcher shared this house with transplants from the Washington, D.C., area, as well as with black mariner James Davis from Richmond, Virginia.

Local history and self-guided tours are presented in collaboration with the New Bedford Historical Society and the New Bedford Whaling National Historical Park. Visitors can also access interactive digital components, VR tours, and videos originally created for the New Bedford Historical Society and UMass Dartmouth’s exhibition, Black Spaces Matter: Celebrating New Bedford’s Abolition Row.

This exhibition will be shown free and open to the public in downtown New Bedford outdoors at the YMCA green space on Union Street, between N. 2nd Street and N. Water Street from June 16 to September 12.

CREDITS

The Black Spaces Matter project is collaboration between UMass Dartmouth College of Visual and Performing Arts students and faculty, local New Bedford experts, and the New Bedford Historical Society.

Black Spaces Matter was exhibited from November 19, 2017 — January 29, 2018 at the Boston Architectural College’s McCormack Gallery, 320 Newbury St. Boston, MA, and from November 8, 2018 — January 30, 2019 at UMass Dartmouth’s University Gallery, 715 Purchase St. New Bedford, MA 02740.

SUPPORT

Black Spaces Matter is supported by New Bedford Historical Society, Creative Economy Fund from the Office of the UMass President, UMass Dartmouth Provost Office, Perkins + Will Associates,  Rotch–Jones–Duff House and Garden Museum, Spinner Publications, New Bedford Whaling National Historical Park.

PARTICIPANTS

Consultant: Lee Blake | Lead curator: Pamela Karimi | Architectural renderings, model production, and maps: Pedram Karimi and students in Architecture and Sustainability class | Film, animation, and digital curation: Don Burton | Artistic representations: Michael Swartz | Consultants for the Documentaries: Janine da Silva, Ann Marie Lopes | Advertisement and graphic design: Ziddi Msangi, Racsa Soun, Vasco Pedro and students in Community Engagement Design studio | Digital stations: Michael Swartz, Don Burton, Ben Guan-Kennedy, and Merri Cyr | Production Manager: Jennifer McGrory | Curatorial assistance: CVPA students, Cynthia Raposa, Mark Walker, and gallery director, Viera Levitt.

Understanding the Past: Abolition Row as Counterpublic, by Don Burton Media. Originally created for the New Bedford Historical Society and UMass Dartmouth’s exhibition, Black Spaces Matter: Celebrating New Bedford’s Abolition Row.

Events

Take a Public Art Walking Tour on Your Time

Need to stretch your legs and catch some sunshine? Thanks to #NBCreative, there is a public art tour to help you explore public art in New Bedford throughout the city. This tour can take you from one artwork to another or simply help you identify the artwork you see everyday. It’s incredible how artists can

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